The Sriwijaya University Library

  • Home
  • Information
  • News
  • Help
  • Librarian
  • Login
  • Member Area
  • Select Language :
    Arabic Bengali Brazilian Portuguese English Espanol German Indonesian Japanese Malay Persian Russian Thai Turkish Urdu

Search by :

ALL Author Subject ISBN/ISSN Advanced Search

Last search:

{{tmpObj[k].text}}
Image of REPRESENTASI KRITIK SOSIAL PADA FILM

Skripsi

REPRESENTASI KRITIK SOSIAL PADA FILM "BERDOA, MULAI" (ANALISIS SEMIOTIKA ROLAND BARTHES)

Syafitri, Rizqa Rahhima - Personal Name;

Penilaian

0,0

dari 5
Penilaian anda saat ini :  

This research is about the representation of social criticism in the film “Berdoa, Mulai” with Roland Barthes semiotic analysis. This research aims to analyze the representation of social criticism related to religious domination in the short film “Berdoa, Mulai” by Tanzilal Azizie through Roland Barthes semiotic approach. The film raises the issue of the dominance of the majority religion (Islam) over minority groups (Catholics) in Indonesia, which is reflected through the experience of the main character, Ruth, a Catholic teenager living in a Muslim-majority neighborhood. The research uses a qualitative method with Barthes two-level semiotic analysis technique, denotation, connotation, and myth, to reveal the implied meanings in the scenes and dialog of the film. The results show that the film “Berdoa, Mulai” cinematically represents forms of majority religious hegemony in social and educational life, such as domination of the education system, uniformity of cultural identity, and imposition of social adjustment by the majority group. This representation is presented through visual and narrative symbols that illustrate the inequality and pressure experienced by minority groups. The social criticism conveyed by this film is not merely a form of resistance, but as a reflective invitation to build collective awareness about the importance of equality and tolerance in a multicultural society. Keywords: Representation, Social Criticism, Religious Hegemony, Semiotics, Roland Barthes, Film.


Availability
Inventory Code Barcode Call Number Location Status
2507005969T184749T1847492025Central Library (Reference)Available but not for loan - Not for Loan
Detail Information
Series Title
-
Call Number
T1847492025
Publisher
Indralaya : Prodi Ilmu Komunikasi, Fakultas Ilmu Sosial dan Ilmu Politik Universitas Sriwijaya., 2025
Collation
xv, 173 hlm.; ilus.; tab.; 29 cm.
Language
Indonesia
ISBN/ISSN
-
Classification
791.430 7
Content Type
Text
Media Type
unmediated
Carrier Type
other (computer)
Edition
-
Subject(s)
Prodi Ilmu Komunikasi
Film – Analisis semiotika – Kritik sosial
Specific Detail Info
-
Statement of Responsibility
MI
Other version/related
TitleEditionLanguage
KRITIK SOSIAL PADA PEMBONGKARAN PASAR CINDE PALEMBANG MELALUI LAGU (ANALISIS HERMENEUTIKA PADA LIRIK LAGU “PASAR INI TELAH MUSNAH”)id
ANALISIS WACANA KRITIS TERHADAP KRITIK SOSIAL PELANGGARAN HAK ASASI MANUSIA DALAM FILM DOKUMENTER YOU AND Iid
File Attachment
  • REPRESENTASI KRITIK SOSIAL PADA FILM "BERDOA, MULAI" (ANALISIS SEMIOTIKA ROLAND BARTHES)
Comments

You must be logged in to post a comment

The Sriwijaya University Library
  • Information
  • Services
  • Librarian
  • Member Area

About Us

As a complete Library Management System, SLiMS (Senayan Library Management System) has many features that will help libraries and librarians to do their job easily and quickly. Follow this link to show some features provided by SLiMS.

Search

start it by typing one or more keywords for title, author or subject

Keep SLiMS Alive Want to Contribute?

© 2025 — Senayan Developer Community

Powered by SLiMS
Select the topic you are interested in
  • Computer Science, Information & General Works
  • Philosophy & Psychology
  • Religion
  • Social Sciences
  • Language
  • Pure Science
  • Applied Sciences
  • Art & Recreation
  • Literature
  • History & Geography
Icons made by Freepik from www.flaticon.com
Advanced Search