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Image of CONCERT HALLS AND OPERA HOUSES: Music, Acountics, and Architecture

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CONCERT HALLS AND OPERA HOUSES: Music, Acountics, and Architecture

Beranek, Leo - Personal Name;

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Indisputably, the acoustics of halls for music are more diversethan those of violins. as this book will explain in depth, halls for music encompass a broader range of different types with very different acoustics ,and one should always remember that composers often wrote music for a particular concert hall or opera house,consequently, a given composition usually sounds best when performed in its intended acoustics. for instance, gregorian chants were written for performance in large churches with high reverberance; a small, quite church never comes close to doing it justice. as chapter 1 discusses, composition of different musical periods baroque, classical, or romantic, for example- sound best in halls whose reverberation times vary from medium low to relatively high. can one hall serve all purposes? halls with variable acoustics are among those treated here.


Availability
Inventory Code Barcode Call Number Location Status
1701000225B96929S725.81Ber c 1996Central Library (CIRCULATION)Available
Detail Information
Series Title
-
Call Number
725.81Ber c
Publisher
USA : Springer., 1996
Collation
vii, 485. : ilus. ; 26 cm.
Language
English
ISBN/ISSN
0 387- 95524-0
Classification
725.81
Content Type
Text
Media Type
-
Carrier Type
-
Edition
2
Subject(s)
Architectural Recreation Builldings
Concert and music halls
Theaters
Specific Detail Info
-
Statement of Responsibility
TUTI
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No other version available

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